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Motion Design / 2.5D Photography · 2026

Sacred Spaces
of Kyoto

Architecture, belief and nature

Full film · 70 seconds · 1920 × 1080 · 30 fps

What makes a place sacred?

A 70-second motion-design film exploring how architecture, belief and nature shape the experience of Kyoto’s sacred spaces. I developed a journey through Fushimi Inari Taisha, Ryōan-ji, Kiyomizu-dera and Kinkaku-ji, using layered photographs, typography and 2.5D parallax to create moments of quiet wonder.

Project
Monash · MDC4502 Place Snapshot · 2026
Role
Image preparation / Compositing / Animation / Typography / Edit
Tools
Photoshop / After Effects

01

Four places, one journey

Wide views and close details guide the film from the vivid architecture of Fushimi Inari to the stillness of Ryōan-ji, across Kiyomizu-dera and towards the light and reflections of Kinkaku-ji.

Fushimi Inari Taisha / Film still · 00:18
Fushimi Inari Taisha / Film still · 00:18
Ryōan-ji / Film still · 00:29
Ryōan-ji / Film still · 00:29
Kiyomizu-dera / Film still · 00:44
Kiyomizu-dera / Film still · 00:44
Kinkaku-ji / Film still · 00:56
Kinkaku-ji / Film still · 00:56

02

Establishing the visual direction

Vermilion, warm gold, stone grey, moss green and muted blue inform the palette. Bold sans-serif type gives the photographic scenes a consistent voice, while restrained movement supports a quiet, reflective atmosphere.

Moodboard — colour, texture, photography and typography.
Moodboard — colour, texture, photography and typography.

03

Planning depth and rhythm

The storyboard records shot order, timing and camera direction. Photographs were separated into foreground, middle-ground and background layers in Photoshop, then animated in After Effects. Different movement speeds create 2.5D depth, with pans, zooms and transitions connecting the scenes.

Storyboard 01 — opening title, Fushimi Inari and Ryōan-ji.
Storyboard 01 — opening title, Fushimi Inari and Ryōan-ji.
Storyboard 02 — Kiyomizu-dera, Kinkaku-ji and the closing sequence.
Storyboard 02 — Kiyomizu-dera, Kinkaku-ji and the closing sequence.

Student project. Motion design, compositing, typography and edit by Xiyuan Bai. Photography sourced from Pexels and Unsplash; selected image elements were reconstructed with AI-assisted tools. Full credits are included in the film.

Photography & music credits

Fushimi Inari Taisha

Kai-Chieh Chan / Pexels; Travel with Lenses / Pexels; Levi Meir Clancy / Unsplash

Ryōan-ji

Bart Wellens / Unsplash; Griffin Quinn / Unsplash

Kiyomizu-dera

realfish / Unsplash; GUO ZIYU / Unsplash

Kinkaku-ji

Sebastian Kurpiel / Unsplash; Jean Vella / Unsplash

Music

Hakushin’s Lullaby — Yu-Peng Chen / HOYO-MiX, 2021